elgian in origin, igor vicente and dka join forces to create two monster tracks for their haus boo ep on hot creations. championed by jamie jones, lee foss and richy ahmed it arrives hot on the heels of hot creations’s paradise events series announcement for ibiza 2016, this is music made for those heady nights on the dc10 terrace. on the a-side is haus boo which the guys created after being inspired by the all time classic the house master boyz and the rude boy of house house nation . taking the release into a much darker realm is shady with a seriously addictive beat, endless high-hats and relentless snares. infatuated with music from a young age, igor vicente founded the belgian wildfamily parties in which jamie jones, seth troxler, dinky and matthew styles among others have all played. some years later he formed one half of ultrasone, and has released on get physical, mobilee and hot creations multiple times. these days you can catch him playing at one of his two residencies in belgium, cafe d anvers and fuse, and founding the label state of flow. dka has his roots firmly placed in the house music scene and has taken his sounds all over europe, whilst releasing on get physical music, mobilee records and play label records to name just a few.

“footwork”—the very word indicates a movement of the feet that is “work” (as in an effort to achieve). its joyous social party nature sits within a lineage of african american history that includes the infamous soul train dance tunnel and hip hop dance circles. however, as footwork continues to become more popular, we should not forget that at its essence it is a highly evolved battle form. this is the central theme one feels listening to the stunning “fingers, bank pads & shoe prints,” the second album from rp boo, the man credited with inventing the footwork genre with a 1997 track “baby come on” (recently re-released on the planet mu ep “classics vol. 1”).

planet mu are honoured to be invited to look back through rp boos archives and present the cornerstones of his style, which would emerge from chicagos ghetto house in the late nineties and develop into the genre of footwork.

this latest 12 comes courtesy of phil mison & pete herberts much lauded reverso 68 project. baa boo is exactly the kind of blissfully dreamy groove we have come to expect from this accomplished production duo, musical, melodic and tailormade for sunnier climes. on the flip we have piano 89, pretty self explanatory really, but for the benefit of those not pushing 40, its an old school house jam, drenched in the kind of italo piano hook that used to ignite late 80s dancefloors and is destined to do the same some 20 years on - magical.

absolutely lethal, classic footwork from these three originators — body-rocking, invigorating and startling, hybrid without compromise. the a is route-one dancefloor murder, honed and nasty, vintage chicago and detroit gone clear across the border, the flip is a fiercely dazzling juke vocal collage, bare and hard as nails

wild rumpus is bitches brew head honcho colleen cosmo murphy (cosmodelica / classic album sundays) and former captain beefheart axeman and jeff buckley collaborator gary lucas. with wild rumpus they bring together seemingly contradictory sounds such as disco, rock, surf music, blues, dub and country while enlisting some extraordinary talent along the way. his latest effort is the most indulgent wild rumpus song yet and is somewhat of a cross between ashra temple and giorgio moroder clocking in at an epic 12 minutes. the remix is courtesy of mudd and has balearic classic written all over it. the single also includes an instrumental version of >tikkety-boo< which is a preview to the vocal version with lambchops kurt wagner which will be featured on the album.

phatts and small disco house bomb back from tha late 90s, ltd 2011 repress

markus schatz is back on salon records with a brillant minimal twisty techno two tracker ep! boo bop: huge house track with be bop style samples! on drums: deep ethnic techno expedition à la djumanji

massive package of electrohouse mixes by digital dog and smax & gold

knallfette hi tech funky techno knarz bombe !!!

a seite ein retro rave tracks für die grossen floors , auf der b seite der lars-christian müller remix kommt schaffel (-nd) daher

remastered and pressed on audiophile virgin vinyl for your listening pleasure.

limited edition neon violet vinyl.

2 nd part .... msut have

reissue of the 1961 debut album from saxophone player booker ervin, remastered from the original master tapes by bernie grundman.

a timeless classic created and arranged by glenn underground originally released in the mid-90s on a boo williams’ ep. the track took europe by storm and now repressed on black vinyl

pressed on yellow highlighter & tangerineswirl colored vinyl with numbered obi limited to 1.500 copies includes a fold outposter

incl bella boo remix

pressed on dried bloor red vinyl with obi strip, ltd to 1000

hexagon club number 4!

ltd translucet blue vinyl

cut directly from the original analog tape - 180g vinyl

2x reggie dokes plus boo williams & eric johnson

4 fresh tracks from young french artists from the current scene.

green double vinyl edition.

stag-o-lee presents buzzsaw joint cut #9.

orange vinyl !

roy davis jrs undaground therapy muzik comes with a follow up on the criticaly acclaimed al zanders release from 2018. three solid deep and playful groovers that will never go out of style!

limited tahini white coloured double vinyl.